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|  | THE KEANES SFORNANO A NEW SUCCESS
Tremble! You that you have osannato the sonorities brit - pop anni'80, you that you loved electrifying rhythms and voters, you that you didn't go to sleep without to have before listened "Take on me" of the it To-has: the Keanes won't disappoint you. The group headed by Tom Chaplin seems to have given a swerve to the measured and delicate style that had countersigned the two preceding albums of it. "Hopes and Fairs", their debut, was an authentic masterpiece, able to sell all over the world more than 5 million copies, "Under the Iron Sea" it didn't repay it attended her, but it gave some good songs to the stage however. We have now reached the third chapter of the saga Keaniana.
"Perfect Symmetry", it arrives after two years from the last job of the native group of the East Sussex and after the crisis (momentary luckily) of the band, in which many gave for imminent a resounding breakup. The album, could define him/it in a simple sentence: the turn that doesn't wait yourself. Already, because this disk literally has spiazzato the criticism of over Sleeve and not only, dividing her/it in two contrasted parts. There is who, as the journalist of NME.COM, Rebecca Robinson, has defined him "a cagata" and who, it has him instead osannato on the, "Daily Telegraph" where Adam Sweeting the has reviewed as "perfect" and "revolutionary." Matter of tastes, would come to say.
The disk has been preceded by the single one "Spiralling", before trace of the album and authentic call a years '80, for lovers of the synth, some kitsch, but happy and happy-go-lucky, catchy already to the first impact.
The second trace is the second individual, "Lovers macaws Losing" and the listening him ago more and more pleasant, for then to flow in the particular one "Better than this", from the arrangements that they seem to recall memoirs of the Cares.
Later "You haven't told me Anything", we reach the song that gives the title to the same disk, "Perfect Symmetry." Probably it is the passage more succeeded of the whole album, where we find again that simplicity dreamer that strikes to the heart the same one that has made the famous Keanes in the world. A fair plan driven by the wise hands of Tim Rice-Oxley, accompanies the voice of Tom Chaplin as to the old times of Hopes and Fairs. A thread conductor seems to drive the emotions and so we come upon there in "You don't see me" and you/he/she seems to increase the awareness that the Keanes have really returned to the origins. But then we run aground there on the anonymous one "Again and Again" and our hopes seem to be shipwrecked. The album continues on this false line, for then to arrive to "Black Burning Heart" with its refrain that so much U2 does and to the final trace "Love is the end", that closes the all with sweetness.
In substance, we don't feel there to reject this job. The disk, certainly introduces some points that leave some perplexed ones, as for instance the extreme call a years '80 and to sonority some trails. But it is sure what the Keanes make ahead surely a footstep in comparison to "Under the Iron Sea" and they try to create a particular style, that perhaps however it doesn't reward them to duty. In short, a 10 to the spirito.una almost sufficiency to the content. Adding the values, however, a discreet album goes out from there, where "Hopes and Fairs" it resounds in some note and where the creative vein of Tim Rice-Oxley looks for and finds new sap.
Despite the criticisms, the Keanes center for the third consecutive time the number one in the classifications of the disks more sold in UK. Not badly for a band that you/they gave all for sold.
Thanks to: Alexander Setaro
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