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|  | THE NINTH SOLOIST ALBUM OF MORRISSEY ARRIVES: YEARS OF REFUSAL
The Critique. It returns, after You macaws the quarry, the unmistakable sound of Morrisey. The ex leader of the Smithses sforna another disk, the ninth one of study of the soloist career, after a long pregnancy, so much that the greatest part of the trackses that the album composes, has remained in a drawer for over one year, with the exception of two songs, the classical That's How People Grow Up and the rough and direct All You Need Is Me, goes out already as individuals in the "Greatest Hits" of the 2008. Surely what doesn't have entirely convinced Morrisey has been really the production of the same disk realized by Jerry Finn, disappeared immediately prematurely after the recording of the traces, and this has forced him/it to complete a new more consistent mixaggio to its demands. Years of refusal is a disk that confirms the good one been musical of Morrissey, very aggressive and direct, and alive up to the last second. It is not very different from the preceding productions but it differentiates above all for the greatest compactness and immediateness. In fact, you/he/she can be defined as a harvest of passages by the I seize definite and from the fast rhythm that, also deprived of the woodpeckers and of the peaks reached in the two preceding jobs, with pieces as Let Me Kiss You, Life's To Pigsty or Dear God, Please Help I, don't introduce even meaningless passages or of filling. After all, for an icon rock-mod
as he is impossible to fail really in his/her garden of house, that knows to the perfection. And so exploiting his only and unmistakable voice, it manages him in interesting lyric and never banal, with you also sprout at times sarcastic.
The first single extracted by the disk is "I'm Throwing My Arms Around Paris", a classical piece Morrisseyano, characterized by the splendid sound of the trumpet of Mark Isham, while the opening of the album is submitted to three definite passages and directed as "Something Is Squeezing My Skull", "Mama Lay Softly On The Riverbed" and "Black Cloud", with this last embellished by the guitar of Jeff Beck. And' an appetizer to what will come later, a mix of rhythmic rock where the imprint of the guitar is marked and where finds again her freshness of Morrissey returns to serve as catalyst and to point out the street to follow. And it is not at all a case that the climax of the album is contained in the second part of the tracklist, where the exuberance and the roughness amalgamate with the talent of an inimitable artist. And so, we find the two individuals I'm Throwing My Arms Around Paris and All You Need Is Me together with passionate passages and you summon as It's Not Your Birthday Anymore and You Were Good In Your Time, an initial ballad with final surprising, hard and expressive. The closing is magnificent and you/he/she is submitted to a piece as I'm OK by myself, that there resistuisce a Morrisey in great form.
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