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|  | SUPERGRASS: I RETURN IN GREAT STYLE
They have finally returned. The Supergrasses sfornano theirs seventh album study without betraying their vein british that has countersigned them in a long and honorable career. To tell her/it all, Gaz Coombes and partners they remain still a phenomenon everything to explain. Already, because to the light of the success that you/they have had other groups of the sphere English rock, them they have remained, for so to say, of the you immortalize incomplete. Obviously if we limit there to consider the simple numbers of the record sales or the audience of their concerts. We, that we know how to appreciate the music beyond the colds statistic calculations of the sold copies don't obviously care this. Also because the same Coldplays, to dir truth, has still to justify with a disk that passes indeed to the history, the 50 million of copies sold in career till now. The Supergrasses, regardless of the ephemeral success mediatico, has aimed always at the quality of their music, and this time they is not denied also. From the point of view of the rhythmics they are not second to anybody and this results evident in the piece that opens the disk and that it gives the name to the album, "Diamond Hoo Has." A true masterpiece from the sound a little parish priest and a lot of garage, that it shows as in Great Britain there is still who both able to do true rock and not only brit-pop (who wants to understand understands.). And whether to say of "Bad Blood", first individual of the disk? Other piece of great course in full style Supergrass of the first times and not of those more mature and from the most accurate sounds of "Road to Rouen." Very beautiful also "Rebel in You", that traces the refinement of the mythical Paul Weller, the decano of the rock made in Uk. It results enthusiastically surely "When The Needed You", while "345" with his/her reminescenzes years 60-70 bring back us in the years. Subsequently we come upon there in "Return Of Ispiration", splendid composition characterized by an unmistakable sax in style floydiano, before finding "Rough Knuckles" and the dylaniana "Ghost Od To Friend", all to be listened. The final trio is composed, above all, from the psychedelic and twisting one "Whiskey & Green Tea", that brings us to travel among solos of rolled sax, Chinese music and fanfares bandistiche. The following one "Outside" ago from prelude to "Butterfly", final piece that traces the unmistakable sound of the mythical Bowie. Therefore a big beautiful job from Gaz and companions, that it redelivers us our old darlings Supergrass from the incisive and amusing music in their full style rock.
Gabriele Canari
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